Take a look behind the scenes of Wes Anderson’s new film, “The French Dispatch”


Fans of Wes Anderson know that if you keep your eyes open and your imagination open, you can find pieces of his colorful and fantastic world on screen in everyday life. The Oscar nominee’s latest film, The French dispatch, is proof of this: it was shot on location in Angoulême, France, where the topography and architecture were camera-ready to replace the original fictional French town of Ennui-sur-Blasé.

Production designer Adam Stockhausen and his team first embarked on what he calls “Google searches” to find the perfect location. “We kind of go to Google Maps and drop the little yellow guy and start walking the streets and looking around,” he says. A D. “We looked everywhere and then we kind of started to crunch that down to a list of different cities that looked promising.” Scouts were then dispatched to take photos and, after Stockhausen and his team visited a shortlist of places, they settled in Angoulême, a town known for its annual comic book festival which sits on a plateau. about five hours southwest of Paris and two hours northeast of Bordeaux.

“We had such a great access, it was really amazing,” Stockhausen said of the filming in Angoulême. This scene was built in a parking lot, and it represents the back of the French expedition Office.

Courtesy of Searchlight

For reasons that could very well have made it unusable for another director, Angoulême was perfect for Anderson’s story on The French Freedom Expedition, Kansas Evening Sun, a magazine started by a Kansas-born expat named Arthur Howitzer, Jr. (portrayed by Bill Murray) that publishes lengthy news and cultural articles and is loosely based on The New Yorker. “There’s this road that winds, and around, and around as it goes [uphill], and then these roads that crisscross that. It creates these really amazing nooks and crannies, and twists, that Wes was constantly exploiting, ”said Stockhausen.

The film consists of four vignettes, each telling a story of what will be the final issue of The French dispatch. The first is a travelogue highlighting the underside of Ennui-sur-Blasé by the cycling journalist Herbsaint Sazerac (played by Owen Wilson). Next, a story by JKL Berensen (Tilda Swinton) about the life of Moses Rosenthaler (Benicio del Toro and Tony Revolori), an incarcerated painter who is discovered by a fellow inmate and art dealer played by Adrien Brody. Artist Sandro Kopp, partner of Swinton, created Rosenthaler’s abstract paintings, including a series of large frescoes that he painted on prison walls. Kopp called the experience “the most difficult and satisfying thing I have done in my life so far. I arrived in Angoulême knowing that I had two and a half months to create 10 massive paintings that must have looked like a genius who had worked them for three years. Elements of the local culture also appeared in the decoration of the prison: the artisanal pottery was used as a prop for an art class for inmates, and the detainees stuffed themselves in the felt slippers, or charentaise, traditionally made in the region.

Source link

Leave A Reply

Your email address will not be published.